Yes, I went back yet again. St. Marks is proving to be a fertile ground for photography.
I focused again on 4x5 images. They were shot with the Schneider 47mm f/5.6 XL, Nikkor 90mm f/8, Schneider Symmar-S 210mm f/5.6, or Nikkor-M 300mm f/9:
Thursday, May 30, 2013
Sunday, May 26, 2013
St. Marks NWR Part 3
I actually went to St. Marks again last Sunday with a couple of friends. I only shot a few sheets of 4x5, but it was fun nevertheless. Here's the results (the first shot is with the Nikkor 300mm f/9, the rest with the 90mm f/8):
This last one was my first-ever T-Max 400 negative. I developed it in Pyrocat HD 1:1:100 for 9 minutes. This is a classic combination recommended often, and it didn't disappoint. The grain is about as fine as T-Max in Rodinal despite being a 400-speed film. I definitely will be using it again - I honestly don't know why it took me so long to try TMY.
This last one was my first-ever T-Max 400 negative. I developed it in Pyrocat HD 1:1:100 for 9 minutes. This is a classic combination recommended often, and it didn't disappoint. The grain is about as fine as T-Max in Rodinal despite being a 400-speed film. I definitely will be using it again - I honestly don't know why it took me so long to try TMY.
Wednesday, May 22, 2013
A Comprehensive Test of Five Nikkor Lenses in the 28mm and 35mm Focal Lengths
This is something I've been meaning to do for a while - a test between the three different 35mm and two 28mm lenses I own. Why? Well, to decide which one would be best for a typical landscape.
I simply set up my tripod in the backyard and shot frames with all of the lenses with some trees at/near infinity and looked at the center and one corner. I used my Nikon D800E. The corner doesn't match between the two different focal lengths obviously. I did a simple edit in Lightroom and applied the same edit to every photo.
I tested the lenses at full aperture (different for each lens), f/2.8, and f/8. I'm throwing out the full aperture test if the lens was faster than f/2.8 because they were all uniformly terrible.
Let's see if I can get these photos to line up okay:
f/2.8 f/8
35mm f/1.4 AI:

35mm f/2 AF:

35mm f/2.8 pre-AI:

28mm f/2 AI:

28mm f/2.8 AI-S

Okay. Still with me? As you can see, most of the shots at f/8 look about the same. Interestingly, looking at the file size, generally speaking it corresponds with the amount of detail in the photo. Anyway - so who wins? Well, the 35mm f/1.4 definitely loses. Even at f/8 it's not that good. The one that stands out (as I expected, actually) is the 28mm f/2 AI lens. The surprise here is that the 35mm f/2.8, though dismal wide-open at f/2.8, at f/8 is quite good, easily beating the modern AF lens. I know from experience that this is a sharp lens, especially on 35mm b&w film. If I would've continued to stop down, it might've stuck out and beaten the 28mm f/2 at f/11 or f/16 (the issues of diffraction here are a topic that I won't broach in this article). The much-vaunted 28mm f/2.8 doesn't really hit the mark (and no surprise as it shines more in close-focus type shooting) and the 35mm f/2 AF-D lens really doesn't perform that well. To its credit though it did take a fall two years ago and may or may not be in 100% condition.
Now the corners are where things get interesting. If you are still interested, click on "Read more" to see the rest of my test!
I simply set up my tripod in the backyard and shot frames with all of the lenses with some trees at/near infinity and looked at the center and one corner. I used my Nikon D800E. The corner doesn't match between the two different focal lengths obviously. I did a simple edit in Lightroom and applied the same edit to every photo.
I tested the lenses at full aperture (different for each lens), f/2.8, and f/8. I'm throwing out the full aperture test if the lens was faster than f/2.8 because they were all uniformly terrible.
Let's see if I can get these photos to line up okay:
f/2.8 f/8
35mm f/1.4 AI:


35mm f/2 AF:


35mm f/2.8 pre-AI:


28mm f/2 AI:


28mm f/2.8 AI-S


Okay. Still with me? As you can see, most of the shots at f/8 look about the same. Interestingly, looking at the file size, generally speaking it corresponds with the amount of detail in the photo. Anyway - so who wins? Well, the 35mm f/1.4 definitely loses. Even at f/8 it's not that good. The one that stands out (as I expected, actually) is the 28mm f/2 AI lens. The surprise here is that the 35mm f/2.8, though dismal wide-open at f/2.8, at f/8 is quite good, easily beating the modern AF lens. I know from experience that this is a sharp lens, especially on 35mm b&w film. If I would've continued to stop down, it might've stuck out and beaten the 28mm f/2 at f/11 or f/16 (the issues of diffraction here are a topic that I won't broach in this article). The much-vaunted 28mm f/2.8 doesn't really hit the mark (and no surprise as it shines more in close-focus type shooting) and the 35mm f/2 AF-D lens really doesn't perform that well. To its credit though it did take a fall two years ago and may or may not be in 100% condition.
Now the corners are where things get interesting. If you are still interested, click on "Read more" to see the rest of my test!
Monday, May 20, 2013
Baby Alligators!
I was reorganizing some film Friday and found a box of 4x5 Velvia 100F which I had purchased last year, out-of-date, and never tested. So I loaded up 6 sheets to test it out and went to Grand Bay.
I ended up seeing a whole host of baby gators about midway down the boardwalk. I have never seen gators this young in the wild - they were less than a foot long each. I must have counted at least 8! Luckily I had grabbed my 300mm f/9 Nikkor lens so I had somewhat of a long lens to capture them.
Here are two photos of the gators:
And here is a cropped shot of the first photo. This is approximately the size of a 645 slide I believe:
I also shot a couple of other photos there:
I ended up seeing a whole host of baby gators about midway down the boardwalk. I have never seen gators this young in the wild - they were less than a foot long each. I must have counted at least 8! Luckily I had grabbed my 300mm f/9 Nikkor lens so I had somewhat of a long lens to capture them.
Here are two photos of the gators:
And here is a cropped shot of the first photo. This is approximately the size of a 645 slide I believe:
I also shot a couple of other photos there:
Saturday, May 18, 2013
St. Marks National Wildlife Refuge - Part 2
And now for part two. These are the 4x5 images I took at St. Marks. Most were done with the Nikkor 90mm f/8. For the wildlife images I used my Nikkor 720mm f/16 telephoto (my first time using it successfully!). I also used my Nikkor 450mm f/9 and Schnieder 210mm f/5.6 for a couple:
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