One of our VSU Alums gave a workshop on Wet Plate Collodion and Tintypes a couple of weeks ago. We had a great time and had a ton of local and regional photographers join us to learn and shoot both wet and dry plates.
I took a bunch of documentary photographs with my Leica III, Bessa II, and Pentax 67:
Monday, March 16, 2015
Wednesday, March 11, 2015
8x20, almost
Last year I bought an interesting camera, a custom job that was assembled with various parts from a few different cameras but was fairly well put together - an 8x20 banquet camera.
If you've ever seen a really old wedding photo in an antique shop of the whole wedding party and family stretched out into a panorama, it was likely a 7x17, 8x20, or 12x20 image, often made directly with a huge camera. The camera I bought is built off of an old Korona with various parts mixed in.
The camera was not without faults. I found light-leaks and had major problems with the film holder. Right now the holder and back is out getting modified to work together properly.
I did test the camera a few times before and for the most part was completely dissatisfied with the results - but this was due to the film holder issue, not the format.
Anyway, I took one image last month to test the film holder out, and it was a complete disaster - there was a huge light-leak around the front standard. I taped up the edges though with Gorilla tape and now it's good to go. This was the terrible result, wasting a precious sheet of Efke PL 100:
Not to be dissuaded, I really wanted to shoot this image properly before this flooded area dried up. So I returned the next day with my 8x10 camera. I put the same lens on, composed the shot, and took two images back-to-back with some 8x10 x-ray film, with the lens first shifted all the way to the left and then all the way to the right. I also panned the camera right for the second shot to get a bit more coverage.
I then processed, bleached, and scanned the negatives, then finally stitched them together in Microsoft's Image Composite Editor. This gave me a "virtual" 8x20 shot (well technically it was closer to 7x17).
Here is the result:
The lens I used was a 305mm f/9 G-Claron - an older version known to be a copy of the "Dagor" design. This design throws a huge image circle at small stops and covers 8x20 with ease. It's quite a fantastic lens and I got it at a bargain price.
For fun, here's a tiny 100% crop of the dark dirt and roots sticking out of the water on the left:
Pretty good for less than $1 cost of film and a $150 lens that has some haze on the rear element!
I am looking forward to shooting real 8x20 sheets soon once I get my film holder back though!
I also took a few images while setting up the 8x20 camera with my F5, and Meagan shot some of me too:
Finally here is one more of me with the camera that Meagan took with her phone:
If you've ever seen a really old wedding photo in an antique shop of the whole wedding party and family stretched out into a panorama, it was likely a 7x17, 8x20, or 12x20 image, often made directly with a huge camera. The camera I bought is built off of an old Korona with various parts mixed in.
The camera was not without faults. I found light-leaks and had major problems with the film holder. Right now the holder and back is out getting modified to work together properly.
I did test the camera a few times before and for the most part was completely dissatisfied with the results - but this was due to the film holder issue, not the format.
Anyway, I took one image last month to test the film holder out, and it was a complete disaster - there was a huge light-leak around the front standard. I taped up the edges though with Gorilla tape and now it's good to go. This was the terrible result, wasting a precious sheet of Efke PL 100:
Not to be dissuaded, I really wanted to shoot this image properly before this flooded area dried up. So I returned the next day with my 8x10 camera. I put the same lens on, composed the shot, and took two images back-to-back with some 8x10 x-ray film, with the lens first shifted all the way to the left and then all the way to the right. I also panned the camera right for the second shot to get a bit more coverage.
I then processed, bleached, and scanned the negatives, then finally stitched them together in Microsoft's Image Composite Editor. This gave me a "virtual" 8x20 shot (well technically it was closer to 7x17).
Here is the result:
The lens I used was a 305mm f/9 G-Claron - an older version known to be a copy of the "Dagor" design. This design throws a huge image circle at small stops and covers 8x20 with ease. It's quite a fantastic lens and I got it at a bargain price.
For fun, here's a tiny 100% crop of the dark dirt and roots sticking out of the water on the left:
Pretty good for less than $1 cost of film and a $150 lens that has some haze on the rear element!
I am looking forward to shooting real 8x20 sheets soon once I get my film holder back though!
I also took a few images while setting up the 8x20 camera with my F5, and Meagan shot some of me too:
Finally here is one more of me with the camera that Meagan took with her phone:
Tuesday, March 10, 2015
Sunset at Grand Bay
I needed some outdoor time so I went to the hunting area at Grand Bay to hike a couple of miles at sunset. Here's some shots I took with my Nikon F4 or F5 and a variety of lenses. I shot a roll of Agfa Optima II 100, a roll of T-Max 100, and a roll of Ektar 100.
Sunday, March 8, 2015
Continual flooding along the Withlacoochee Part 2
I posted all color images last time, but here's some additional b&w images from Grand Bay and Langdale Park:
First is my favorite image from this outing, again testing out my new Voigtlander 21cm f/4.5 APO Lanthar lens. This was taken with T-Max 100 and developed in Acufine:
Here are the other images, taken with the Voigtlander or my Schneider 90mm XL or 72mm XL:
Here's a bonus color image. This one was taken with the 90mm XL:
First is my favorite image from this outing, again testing out my new Voigtlander 21cm f/4.5 APO Lanthar lens. This was taken with T-Max 100 and developed in Acufine:
Here are the other images, taken with the Voigtlander or my Schneider 90mm XL or 72mm XL:
Here's a bonus color image. This one was taken with the 90mm XL:
Thursday, March 5, 2015
Continual flooding along the Withlacoochee Part 1
I haven't posted in a while so I figured I should add some photos. I've been shooting down at the river a lot lately as we've had several weeks of intermittent storms/rainfall that have caused the Withlacoochee to get back up to levels I haven't seen since last summer.
I went today and the Langdale Park area is flooded all the way up past the pavilion, to the point of being impassable even with a really large truck I think.
Here's some images from around the park and also Grand Bay. I will have more later. I also tried out a new lens. First here are some images made with my Nikkor 90mm f/8, all on Portra 160NC:
And here are a few images taken with a new lens I was trying out - a Voigtlander 21cm f/4.5 APO Lanthar. Interestingly, I'm not sure if anyone else out there is actually shooting with one of these. I couldn't find a single image made with one. They are highly collectible. Here are the images:
I just wanted to shoot a few images to see the color and clarity of the lens. This lens has some serious "mojo." I love Voigtlander lenses and this is certainly a prime example of why. Voigtlander was a premium lens maker - another German brand - and I don't know why they were overshadowed by Zeiss and Leica. The colors are gorgeous and the micro-contrast of this lens is really something. I have the 15cm version as well. This will be a great addition to my stable of interesting and cult lenses.
I went today and the Langdale Park area is flooded all the way up past the pavilion, to the point of being impassable even with a really large truck I think.
Here's some images from around the park and also Grand Bay. I will have more later. I also tried out a new lens. First here are some images made with my Nikkor 90mm f/8, all on Portra 160NC:
And here are a few images taken with a new lens I was trying out - a Voigtlander 21cm f/4.5 APO Lanthar. Interestingly, I'm not sure if anyone else out there is actually shooting with one of these. I couldn't find a single image made with one. They are highly collectible. Here are the images:
I just wanted to shoot a few images to see the color and clarity of the lens. This lens has some serious "mojo." I love Voigtlander lenses and this is certainly a prime example of why. Voigtlander was a premium lens maker - another German brand - and I don't know why they were overshadowed by Zeiss and Leica. The colors are gorgeous and the micro-contrast of this lens is really something. I have the 15cm version as well. This will be a great addition to my stable of interesting and cult lenses.
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